用户:JKessvinJ/沙盒/终身贵族
内廷宫务大臣 | |
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宫务大臣厅 | |
所属 | 英国王室内廷 |
任命者 | 英国君主 |
任期 | 听凭君主旨意 |
首任 | 托马斯·欧平汉爵士 |
设立 | 约1399年 |
网站 | Official Website |
宫务大臣(英语:Lord Chamberlain),又称内廷宫务大臣(英语:Lord Chamberlain of the Household),是英国王室内廷最重要的职位,负责主管内廷各部门以支援君主,及维系君主与上议院之间的交流和联系。除此之外,皇室大小典礼活动,包括国事访问、授勋仪式、游园会、国会开幕大典和其他皇室婚礼和丧礼等,均由宫务大臣厅负责筹办。
Lord Chamberlain or Lord Chamberlain of the Household is the most senior officer of the Royal Household of the United Kingdom, supervising the departments which support and provide advice to the Sovereign of the United Kingdom while also acting as the main channel of communication between the Sovereign and the House of Lords. The office organises all ceremonial activity such as garden parties, state visits, royal weddings, and the State Opening of Parliament. They also handle the Royal Mews and Royal Travel, as well as the ceremony around the awarding of honours.
从1737年至1968年宫务大臣也负责审批戏剧的表演牌照,意味著宫务大臣有权审查戏剧。[1]
担任宫务大臣的人士通常都是枢密院顾问官和贵族,在1782年以前更是内阁阁揆之一。1924年前此职仍为政治职位。宫务大臣一职最早源于中世纪的国王内侍(King's Chamberlain),担任君主在枢密院和国会的发言人。[2]
现任宫务大臣是明斯米尔的帕克男爵安德鲁·帕克(Andrew Parker),在2021年4月1日履任。
For over 230 years, the Lord Chamberlain had the power to decide which plays would be granted a license for performance. From 1737 to 1968, this meant that the Lord Chamberlain had the capacity to censor theatre at his pleasure.[1]
The Lord Chamberlain is always sworn of the Privy Council, is usually a peer and before 1782 the post was of Cabinet rank. The position was a political one until 1924. The office dates from the Middle Ages when the King's Chamberlain often acted as the King's spokesman in Council and Parliament.[2]
The current Lord Chamberlain is The Lord Parker of Minsmere, who has been in office since 1 April 2021.
历史职责
宫务大臣为近代王室内廷的三个主要职位之一(其馀两个是宫内大臣和掌马官)。宫务大臣主管宫殿内除君主卧室以外的其他房间(主要用作官方职能和接见外宾),其部门除了为君主提供仆人和其他人员如医生、护卫、皇家近卫队和皇家侍卫荣誉队等外,也负责筹办典礼。除了管理宫殿外,宫务大臣也管理皇家教堂,在皇家衣橱部门并入宫务大臣厅后也管理皇室工务局和珍宝馆,这些职责在1782年被移除。[3]
宫务大臣也负责维系君主与内廷各部门之间的交流。[3]
During the early modern period, the Lord Chamberlain was one of the three principal officers of the Royal Household, the others being the Lord Steward and the Master of the Horse. The Lord Chamberlain was responsible for the "chamber" or the household "above stairs": that is, the series of rooms used by the Sovereign to receive increasingly select visitors, terminating in the royal bedchamber (although the bedchamber itself came to operate semi-autonomously under the Groom of the Stool/Stole). His department not only furnished the servants and other personnel (such as physicians and bodyguards, the Yeomen of the Guard and Gentlemen Pensioners) in intimate attendance on the Sovereign but arranged and staffed ceremonies and entertainments for the court. He had (secular) authority over the Chapel Royal, and through the reabsorption of the Wardrobe into the Chamber, was also responsible for the Office of Works, the Jewel House, and other functions more removed from the Sovereign's person, many of which were reorganized and removed from the Chamberlain's purview in 1782.[3]
As other responsibilities of government were devolved to ministers, the ordering of the Royal Household was largely left to the personal taste of the Sovereign. To ensure that the chamber reflected the royal tastes, the Lord Chamberlain received commands directly from the sovereign to be transmitted to the heads of subordinate departments.[3]
1594年时任宫务大臣第一代亨斯顿男爵亨利·凯里成立了宫务大臣剧团(莎士比亚为合伙人之一)。伊丽莎白一世委托凯里掌管内廷的娱乐活动,而非凯里辖下的活动主管。1603年詹姆斯一世正式赞助宫务大臣剧团,剧团亦更名为英皇剧团。[4]
In 1594, the Lord Chamberlain, Henry Carey, 1st Baron Hunsdon, founded the Lord Chamberlain's Men, for which William Shakespeare was a part (and later a shareholder in the company) and for whom he wrote most of his plays during his career. Carey served under Elizabeth I of England at the time and was in charge of all court entertainment, a duty traditionally given to the Master of the Revels, a deputy of the Lord Chamberlain. Later, in 1603, James I of England, elevated the Chamberlain's Men to royal patronage and changed the name to the King's Men.[4]
剧作审查权
1737年牌照法案
在1737年,时任英国首相罗拔·华波通过《1737年牌照法案》以要求剧作需经过宫务大臣审查后才能演出。法案赋予宫务大臣法定权力去否决任何新作戏剧的演出:他有权以任何理由阻止新剧公演,或禁止修改现有戏剧的剧情;剧团如果公演任何未经批准的戏剧或戏剧部分,可被宫务大臣检控。
In 1737, Sir Robert Walpole officially introduced statutory censorship with the Licensing Act of 1737 by appointing the Lord Chamberlain to act as the theatrical censor. The Licensing Act 1737 gave the Lord Chamberlain the statutory authority to veto the performance of any new plays: he could prevent any new play, or any modification to an existing play, from being performed for any reason, and theatre owners could be prosecuted for staging a play (or part of a play) that had not received prior approval.
历史上大部分伦敦的剧团由王室赞助,作为内廷娱乐的主管,宫务大臣一直凭借皇家特权掌控著这些剧团。不过到了1730年代,特许剧场的兴起早已取代旧有获皇家赞助的剧团。宫务大臣之后二百多年的审查大大钳制了英国戏剧的发展。[5]更甚者,国会并不能修改与审查相关的条文,因为宫务大臣一职及其权力均是来自皇家特权,而非成文法。[5]
Historically though, the Lord Chamberlain had been exercising a commanding authority on London's theatre companies under the Royal Prerogative for many decades already. But by the 1730s the theatre was not controlled by royal patronage anymore. Instead it had become more of a commercial business. Therefore, the fact the Lord Chamberlain still retained censorship authority for the next 200 years gave him uniquely repressive authority during a period where Britain was experiencing "growing political enfranchisement and liberalization".[5]
Even further confusion rested in the fact that Members of Parliament could not present changes to the censorship laws because although the Lord Chamberlain exercised his authority under statute law, he was still an official whose authority was derived from the Royal Prerogative.[5]
1843年剧场法案
戏剧行业在1830年代开始推动改革英格兰的剧场牌照制度。1737年的法例过度偏袒大型剧场,并不利于剧作家以及小型剧场的发展。[5]剧作家指剧作并不受版权保护,而伦敦只有两家特许剧场可以上演新剧。为此国会在1832年成立专责委员会以检视相关法律,并按照委员会的建议在1843年通过《1843年剧场法案》。依照新例,虽然宫务大臣仍拥有对剧作审查权,但他只能禁止会危害公序良俗的戏剧。同时法例允许更多小型剧场获得牌照以公演戏剧,打破原有特许剧场对新作戏剧的垄断。[5][1]
By the 1830s, it started to become clear that the theatre licensing system in England needed an upgrade. Playwrights, instead of representatives of minor theatres, actually initiated the final push for reform as they felt that their livelihoods were being negatively affected by the monopoly the larger theatres had on the industry, backed by the laws in the 1737 Act.[5]
A Select Committee was formed in 1832 with the purpose of examining the laws that affected dramatic literature. Their main complaints were the lack of copyright protection for their work and more importantly that only two patent theatres in London could legitimately perform new plays. After more pressure from playwrights and theatre managers, the findings of the committee were finally presented to Parliament.[5]
It was the proposals of this committee that Parliament implemented in the Theatres Act of 1843. The Act still confirmed the absolute powers of censorship enjoyed by the Lord Chamberlain but still slightly restricted his powers so that he could only prohibit the performance of plays where he was of the opinion that "it is fitting for the preservation of good manners, decorum or of the public peace so to do". However, the Act did abolish the monopoly that the patent houses had in London providing a minor win for playwrights and theatre managers wishing to produce new work.[5][1]
1968年剧场法案
1909年
In 1909, a Joint Select Committee on Stage Plays (Censorship) was established and recommended that the Lord Chamberlain should continue to act as censor but that it could be lawful to perform plays without a licence from the Lord Chamberlain.[1] However, King Edward VII refused to accept these recommendations. The outbreak of both World Wars put an end to any parliamentary initiatives to change the laws regarding theatre censorship for many years. In 1948, the first British Theatre Conference recommended the termination of theatre censorship with the plan to pursue parliamentary action to ratify this.[1][5]
In the 1960s the debate to abolish theatre censorship rose again as a new generation of young playwrights came on the scene. They gained popularity with their new plays in local establishments, but since many were refused a licence by the Lord Chamberlain, they could not transfer to the West End. In the case of John Osborne's play A Patriot for Me, the Lord Chamberlain at the time, Lord Cobbold, was irritated that the play was so widely publicized even though he had banned it and therefore pursued legal action. In the end, the play was allowed to continue as it was. At this point, several widely regarded authors had all been censored by the Lord Chamberlain at one time or another, including playwrights Henrik Ibsen and George Bernard Shaw. Another Joint Select Committee was founded to further debate on the issue and present a solution. This time the argument largely centered around this issue on the portrayal of living and recently dead individuals, particularly in reference to the monarchy as well as politicians.[1][5]
After much debate, the Theatres Act 1968 was finally passed; it officially abolished the censorship of the stage and repealed the Lord Chamberlain's power to refuse a licence to a play of any kind.[1] The first London performance of the musical Hair was actually delayed until the Act was passed after a licence had been refused.[6]
Aftermath
The battle regarding the abolition of censorship was largely a political one, fought on principle. Those who opposed the termination of this particular duty of the Lord Chamberlain were mostly concerned about how to protect the reputation of the royal family and the political elite instead of controlling obscenity and blasphemy on stage. However, this concern has largely been unfounded. Since the termination of censorship, British drama has flourished and produced several prominent playwrights and new works since. The abolishment of censorship opened a floodgate of theatrical creativity.[5]
Duties of the office
The Lord Chamberlain is the most senior official of the Royal Household and oversees its business, including liaising with the other senior officers of the Household, chairing Heads of Department meetings, and advising in the appointment of senior Household officials.[2][7] The Lord Chamberlain also undertakes ceremonial duties and serves as the channel of communication between the Sovereign and the House of Lords.[2]
The Lord Chamberlain's Office is a department of the Royal Household and its day-to-day work is headed by the Comptroller. It is responsible for organizing ceremonial activities including state visits, investitures, garden parties, the State Opening of Parliament, weddings and funerals.[2]
During ceremonial activities, the Lord Chamberlain carries specific symbols that represent his office. These symbols include a white staff and a key which must be worn at the hip pocket. During a royal funeral, the white staff has been symbolically broken over the grave of the deceased monarch. This was last done by the Earl of Clarendon, who broke his staff over the grave of King George VI in 1952.[2][7]
The Lord Chamberlain also regulates the design and the wearing of court uniform and dress and how insignia are worn.
List of Lords Chamberlain of the Household from 1399
Name | office | office | Notes | Reference |
---|---|---|---|---|
Sir Thomas Erpingham | 1399 | 1404 | [8] | |
The Lord Grey of Codnor | 1404 | 1413 | [8] | |
The Lord FitzHugh | 1413 | 1425 | [8] | |
The Lord Cromwell | 约1425 | 1432 | First period in office | [8] |
The Lord Bardolf | 1432 | 1441 | [8] | |
Sir Ralph Boteler, from 1441 The Lord Sudeley |
1441 | 1447 | [8] | |
The Lord Saye and Sele | 1447 | 1450 | [8] | |
The Lord Cromwell | 1450 | 1455 | Second period in office | [8] |
Thomas Stanley, from 1456 The Lord Stanley |
1455 | 1459 | [8] | |
The Earl of Salisbury | 1460 | 1460 | [8] | |
The Lord Hastings | 1461 | 1470 | First period in office | [8] |
Unknown | 1470 | 1471 | Second reign of Henry VI | |
The Lord Hastings | 1471 | 1483 | Second period in office | [8] |
The Viscount Lovell | 1483 | 1485 | [8] | |
Sir William Stanley | 1485 | 1494 | [8] | |
Lord Daubeney | 1494 | 1508 | [8] | |
The Lord Herbert, from 1514 The Earl of Worcester |
1509 | 1526 | [8] | |
The Earl of Arundel | 1526 | 1530 | ||
The Lord Sandys | 1530 | 1540 | [8] | |
Vacant | 1540 | 1543 | [8] | |
The Lord St John | 1543 | 1545 | Created The Earl of Wiltshire in 1550 and The Marquess of Winchester in 1551 | [8] |
Unknown | 1545 | 1546 | ||
The Earl of Arundel | 1546 | 1550 | [8] | |
The Lord Wentworth | 1550 | 1551 | [8] | |
The Lord Darcy of Chiche | 1551 | 1553 | [8] | |
Sir John Gage | 1553 | 1556 | [8] | |
Unknown | 1556 | 1557 | ||
Sir Edward Hastings from 1558 The Lord Hastings of Loughborough |
1557 | 1558 | [8] | |
The Lord Howard of Effingham | 1558 | 1572 | [8] | |
The Earl of Sussex | 1572 | 1583 | [8] | |
Unknown | 1583 | 1585 | ||
The Lord Hunsdon | 1585 | 1596 | Founded the famous Lord Chamberlain's Men for whom Shakespeare wrote for most of his career. | [8][4] |
The Lord Cobham | 1596 | 1597 | [8] | |
The Lord Hunsdon | 1597 | 1603 | [8] | |
Lord Thomas Howard, from 1603 The Earl of Suffolk |
1603 | 1614 | [8] | |
The Earl of Somerset | 1614 | 1615 | [8] | |
The Earl of Pembroke | 1615 | 1626 | [8] | |
The Earl of Montgomery, from 1630 The Earl of Pembroke |
1626 | 1641 | [8] | |
The Earl of Essex | 1641 | 1642 | [8] | |
Unkown | 1642 | 1644 | ||
The Earl of Dorset | 1644 | 1649 | [8] | |
Vacant | 1649 | 1655 | Position became vacant at the start of the Interregnum and the Commonwealth | |
Sir Gilbert Pickering, Bt | 1655 | 1659 | Lord Chamberlain during The Protectorate | [8] |
The Earl of Manchester | 1660 | 1671 | [8] | |
The Earl of St Albans | 1672 | 1674 | [8] | |
The Earl of Arlington | 1674 | 1685 | [8] | |
The Earl of Elgin and Earl of Ailesbury | 1685 | 1685 | [8] | |
The Earl of Mulgrave | 1685 | 1688 | Created The Marquess of Normanby in 1694 and The Duke of Buckingham and Normanby in 1703 | [8] |
The Earl of Dorset | 1689 | 1697 | [8] | |
The Earl of Sunderland | 1697 | 1697 | [8] | |
Vacant | 1697 | 1699 | The King did not accept the resignation of the Earl of Sunderland | |
The Duke of Shrewsbury | 1699 | 1700 | [8] | |
The Earl of Jersey | 1700 | 1704 | [8] | |
The Earl of Kent from 1706 The Marquess of Kent |
1704 | 1710 | Created The Duke of Kent in 1710 and The Marquess Grey in 1740 | [8] |
The Duke of Shrewsbury | 1710 | 1715 | [8] | |
The Duke of Bolton | 1715 | 1717 | [8] | |
The Duke of Newcastle | 1717 | 1724 | [8] | |
The Duke of Grafton | 1724 | 1757 | [8] | |
The Duke of Devonshire | 1757 | 1762 | [8] | |
The Duke of Marlborough | 1762 | 1763 | [8] | |
The Earl Gower | 1763 | 1765 | Created The Marquess of Stafford in 1786 | [8] |
The Duke of Portland | 1765 | 1766 | [8] | |
The Earl of Hertford | 1766 | 1782 | First period in office; created The Marquess of Hertford in 1793 | [8] |
The Duke of Manchester | 1782 | 1783 | [8] | |
The Earl of Hertford | 1783 | 1783 | Second period in office; created The Marquess of Hertford in 1793 | [8][9] |
The Earl of Salisbury, from 1789 The Marquess of Salisbury |
1783 | 1804 | ||
The Earl of Dartmouth | 1804 | 1810 | [8] | |
Vacant | 1810 | 1812 | ||
The Marquess of Hertford | 1812 | 1821 | [8][10] | |
The Duke of Montrose | 1821 | 1827 | First period in office | [8][11] |
The Duke of Devonshire | 1827 | 1828 | First period in office | [8] |
The Duke of Montrose | 1828 | 1830 | Second period in office | [8] |
The Earl of Jersey | 1830 | 1830 | First period in office | [8] |
The Duke of Devonshire | 1830 | 1834 | Second period in office | [8] |
The Earl of Jersey | 1834 | 1835 | Second period in office | [8][12] |
The Marquess Wellesley | 1835 | 1835 | [8] | |
The Marquess Conyngham | 1835 | 1839 | ||
Earl of Uxbridge | 1839 | 1841 | Succeeded as The Marquess of Anglesey in 1854 | |
The Earl De La Warr | 1841 | 1846 | First period in office | [8] |
The Earl Spencer | 1846 | 1848 | [8][13] | |
The Marquess of Breadalbane | 1848 | 1852 | First period in office | [8][14] |
The Marquess of Exeter | 1852 | 1852 | [15] | |
The Marquess of Breadalbane | 1853 | 1858 | Second period in office | [8][16] |
The Earl De La Warr | 1858 | 1859 | Second period in office | [8][17] |
The Viscount Sydney | 1859 | 1866 | First period in office | [18] |
The Earl of Bradford | 1866 | 1868 | [19] | |
The Viscount Sydney | 1868 | 1874 | Second period in office; created The Earl Sydney in 1874 | [20] |
The Marquess of Hertford | 1874 | 1879 | [21] | |
The Earl of Mount Edgcumbe | 1879 | 1880 | [22] | |
The Earl of Kenmare | 1880 | 1885 | First period in office | [23] |
The Earl of Lathom | 1885 | 1886 | First period in office | [24] |
The Earl of Kenmare | 1886 | 1886 | Second period in office | [25] |
The Earl of Lathom | 1886 | 1892 | Second period in office | [26] |
The Lord Carrington | 1892 | 1895 | Created The Earl Carrington in 1895 and The Marquess of Lincolnshire in 1912 | [8] |
The Earl of Lathom | 1895 | 1898 | Third period in office | [27] |
The Earl of Hopetoun | 1898 | 1900 | Created The Marquess of Linlithgow in 1902 | [8] |
The Earl of Clarendon | 1900 | 1905 | [28] | |
The Viscount Althorp from 1910 The Earl Spencer |
1905 | 1912 | [29] | |
The Lord Sandhurst from 1917 The Viscount Sandhurst |
1912 | 1921 | [30] | |
The Duke of Atholl | 1921 | 1922 | [8][31] | |
The Earl of Cromer | 1922 | 1938 | [8] | |
The Earl of Clarendon | 1938 | 1952 | [8] | |
The Earl of Scarbrough | 1952 | 1963 | [8] | |
The Lord Cobbold | 29 January 1963 | 30 November 1971 | [8][32] | |
The Lord Maclean | 1 December 1971 | 30 November 1984 | [8][33] | |
The Earl of Airlie | 1 December 1984 | 31 December 1997 | [34] | |
The Lord Camoys | 1 January 1998 | 31 May 2000 | ||
The Lord Luce | 1 October 2000 | 15 October 2006 | ||
The Earl Peel | 16 October 2006 | 31 March 2021 | [35] | |
The Lord Parker of Minsmere | 1 April 2021 | Present | [36] |
See also
References
- ^ 1.0 1.1 1.2 1.3 1.4 1.5 1.6 1.7 Handley, Miriam. The Lord Chamberlain Regrets...: A History of British Theatre Censorship. London, England: British Library. 2004: 3–17, 86–87, 140, 149, 162, 169. ISBN 0712348654.
- ^ 2.0 2.1 2.2 2.3 2.4 2.5 The Lord Chamberlain. Monarchy of the United Kingdom. [30 May 2011].
- ^ 3.0 3.1 3.2 3.3 Bucholz, Robert O. (编). Introduction: Administrative structure and work. Office-Holders in Modern Britain: Volume 11 (Revised), Court Officers, 1660-1837. London: University of London. 2006.
- ^ 4.0 4.1 4.2 Zarrilli, Phillip B. Theatre Histories, An Introduction. New York, NY: Routledge. 2006: 157–158, 188. ISBN 0-415-22727-5.
- ^ 5.00 5.01 5.02 5.03 5.04 5.05 5.06 5.07 5.08 5.09 5.10 5.11 Thomas, David. Theatre Censorship: From Walpole to Wilson. Oxford, England: Oxford University Press. 2007: iix – xiii, 2, 4, 36, 53–57, 182–188, 205, 216–225. ISBN 978-0-19-926028-7.
- ^ Lewis, Anthony. Londoners Cool To Hair's Nudity Four Letter Words Shock Few At Musical's Debut. New York Times. September 29, 1968 [December 10, 2017].
- ^ 7.0 7.1 Great Officers of the Household. Debrett's. [30 May 2011]. (原始内容存档于10 October 2010). 已忽略未知参数
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(帮助) - ^ 8.00 8.01 8.02 8.03 8.04 8.05 8.06 8.07 8.08 8.09 8.10 8.11 8.12 8.13 8.14 8.15 8.16 8.17 8.18 8.19 8.20 8.21 8.22 8.23 8.24 8.25 8.26 8.27 8.28 8.29 8.30 8.31 8.32 8.33 8.34 8.35 8.36 8.37 8.38 8.39 8.40 8.41 8.42 8.43 8.44 8.45 8.46 8.47 8.48 8.49 8.50 8.51 8.52 8.53 8.54 8.55 8.56 8.57 8.58 8.59 8.60 8.61 8.62 8.63 8.64 8.65 8.66 8.67 8.68 8.69 8.70 8.71 8.72 8.73 8.74 8.75 8.76 8.77 8.78 Lord chamberlains of the royal household in the Oxford DNB. Oxford Dictionary of National Biography. Oxford University Press. [6 February 2011]. 需要订阅或英国公共图书馆会员资格
- ^ 第12430號憲報. 伦敦宪报. 8 April 1783.
- ^ 第16581號憲報. 伦敦宪报. 7 March 1812.
- ^ 第17772號憲報. 伦敦宪报. 11 December 1821.
- ^ 第19221號憲報. 伦敦宪报. 16 December 1834.
- ^ 第20621號憲報. 伦敦宪报. 10 July 1846.
- ^ 第20894號憲報. 伦敦宪报. 5 September 1848.
- ^ 第21297號憲報. 伦敦宪报. 2 March 1852.
- ^ 第21403號憲報. 伦敦宪报. 18 January 1853.
- ^ 第22106號憲報. 伦敦宪报. 2 March 1858.
- ^ 第22279號憲報. 伦敦宪报. 24 June 1859.
- ^ 第23137號憲報. 伦敦宪报. 13 July 1866.
- ^ 第23450號憲報. 伦敦宪报. 15 December 1868.
- ^ 第24071號憲報. 伦敦宪报. 3 March 1874.
- ^ 第24721號憲報. 伦敦宪报. 13 May 1879.
- ^ 第24841號憲報. 伦敦宪报. 4 May 1880.
- ^ 第25485號憲報. 伦敦宪报. 30 June 1885.
- ^ 第25558號憲報. 伦敦宪报. 12 February 1886.
- ^ 第25615號憲報. 伦敦宪报. 10 August 1886.
- ^ 第26644號憲報. 伦敦宪报. 16 July 1895.
- ^ 第27232號憲報. 伦敦宪报. 25 September 1900.
- ^ 第27866號憲報. 伦敦宪报. 22 December 1905.
- ^ 第28581號憲報. 伦敦宪报. 16 February 1912.
- ^ 第32525號憲報. 伦敦宪报. 22 November 1921.
- ^ 第42909號憲報. 伦敦宪报. 1 February 1963.
- ^ 第45536號憲報. 伦敦宪报. 3 December 1971.
- ^ 第49948號憲報. 伦敦宪报. 4 December 1984.
- ^ Appointment of Lord Chamberlain at the Royal Household official website, 2006 互联网档案馆的存档,存档日期19 July 2006.
- ^ Kirsty.Oram. Lord Parker of Minsmere KCB appointed as Lord Chamberlain. The Royal Family. 2021-02-05 [2021-02-06] (英语).
Further reading
- Stephens, J.R. The Censorship of English Drama 1824–1901. Cambridge University Press. 1981.
- Johnston, John. The Lord Chamberlain's Blue Pencil. Hodder & Stoughton. 1990. ISBN 0-340-52529-0.
- de Jongh, Nicholas. Politics, Prudery and Perversions: The Censoring of the English Stage 1901–1968. Methuen. 2000. ISBN 0-413-70620-6.[永久失效链接]
- Shellard, Dominic; Nicholson, Steve; Handley, Miriam. The Lord Chamberlain Regrets ... A History of British Theatre Censorship. British Library. 2004. ISBN 0-7123-4865-4.
External links
- The Lord Chamberlain - Royal Household official website
- Chamber Administration: Lord Chamberlain, 1660–1837
- The Lord Chamberlain and censorship at The Theatre Archive Project
Template:English Monarchy Household
$Category:British monarchy $Category:Theatre in the United Kingdom $Category:Positions within the British Royal Household $Category:Ceremonial officers in the United Kingdom