描述Russian Ballet in Paris - New York Times 1913-06-08.png
The New York Times on the bad reception of "The consecration of spring" by Igor Stravinsky, performed by the Russian Ballet in Paris. The article states that it uses transatlantic marconi wireless technology to report quasi live from Europe.
Le sacre du printemps is the third of three ballet music for large orchestra composed in 1913 that Igor Stravinsky composed for the Ballets Russes by Sergei Djagilew.
Le sacre du printemps ist die 1913 komponierte dritte der drei Ballettmusiken für großes Orchester, die Igor Strawinsky für die Ballets Russes von Sergei Djagilew komponiert hat.
Le sacre du printemps est la troisième des trois musiques de ballet pour grand orchestre composées en 1913 par Igor Stravinsky pour Ballets Russes de Sergei Djagilew.
Le sacre du printemps è la terza delle tre musiche di balletto per grande orchestra composte nel 1913 che Igor Stravinsky compose per i Ballets Russes di Sergei Djagilew.
Le sacre du printemps es la tercera de tres canciones de ballet para gran orquesta compuesta en 1913 que Igor Stravinsky compuso para los Ballets Rusos de Sergei Djagilew.
Le sacre du printemps er den tredje af tre balletmusik til stort orkester komponeret i 1913, som Igor Stravinsky komponerede til Ballets Russes af Sergei Djagilew.
Le sacre du printemps on kolmas kolmesta vuonna 1913 sävelletyn suuren orkesterin balettimusiikista, jonka Igor Stravinsky sävelsi Sergei Djagilew'n Venäjän baletteihin.
{{Information |Description=The New York Times on the bad reception of "The consecration of spring" by Igor Stravinsky, performed by the Russian Ballet in Paris. The article states that it uses transatlantic marconi wireless technology to report quasi live
